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Photographing the Polar regions
The rule on polar expeditions is to count your memory cards or films, and then double them. Even those who rarely pick up a camera will relish so many opportunities to enjoy close encounters with polar wildlife and landscapes.
There are always several photographic experts on board to make sure of first class advice, but all staff and Zodiac drivers will ensure (safety and sensitivity permitting) you have the best opportunities whether you are a casual snapper or more serious. Opportunities are often unpredictable, so don't be surprised by an urgent announcement to get on deck with your cameras if whales, big ice or polar bears have been spotted, at any time of day or night. With the long daylight hours, the multi-media centre on board and this expert advice, you can rest assured you will return with some wonderful images. The Polar regions are the most demanding yet most rewarding destination for anyone with a camera. More detailed
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Despite some erroneous advice, polarising filters are very effective in saturating skies and colours and dispersing reflections. If you are using a relatively heavy long lens, a tripod or monopod will work well. Tripods are hopeless in Zodiacs, however they are effective on board and monopods can double up as walking sticks. Whilst Peli cases are the most robust of carrying equipment they are not so practical when in a hurry. As long as your camera bag is properly 'splashproof' it will be fine. Laptops - Although there are some on board you will not always have access to them so it may be worth bringing your own. Alternatively the small 40 and 80Gb hard-drives are extremely good for downloading and viewing. Recharging - Available in each cabin with a two pin European adaptor.
photographic information is available by emailing us or by speaking to one of our staff, but the basic rules and pitfalls are as follows: Your lens is your most important feature of your gear. If you're bringing a long lens - which you should - then it should ideally be one with image stabilisation/vibration reduction. With conditions so extreme it is quite common for the bright areas to get a little hot, so it is really worth bracketing or shooting in RAW.
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